Love Sex Aur Dhokha 2 Review

   

Love Sex Aur Dhokha 2 movie cast: Tusshar Kapoor, Swastika Mukherjee, Mouni Roy, Anu Malik, Urfi Javed, Paritosh Tiwari, Bonita Rajpurohit, Abhinav Singh, Swaroopa Ghosh, Nimrit Ahluwalia
Love Sex Aur Dhokha 2 movie director: Dibakar Banerjee

Release date (India): 19 April, 2024

IMDb rating: 8.1/10

Running time: 116 minutes

   

Fourteen years have passed since the groundbreaking film “Love Sex Aur Dhokha” emerged. It exposed several social injustices of the day, including “honour killings,” “reality shows” on TV, the use of sex clips for threats and TRPs, and a Me-Too movement long before it started making its way into the world of media.

Cinematographer Nikos Andritsakis encircled the audience with a dizzying variety of seeing eyes in the first LSD, showing us that we are constantly on display. The cameras included CCTVs, video cameras, mobile phones, and hand-held, unsteady devices that picked up lived life rhythms.
The big-brother-bigg-boss type and the same amount of cameras are there in “Love Sex Aur Dhokha 2,” which has firmly transformed into “Like, Share, Download.” Social media is a behemoth, its mouth wide open all the time, craving pleasure and shock, all manners subdued to peddle users as “offerings.” 

The three different repercussions, or shorts, that collectively comprise LSD 2, are fueled by the unwavering ambition of the people who live on this planet. 

The reality TV program Noor relies only on algorithms to generate revenue through sponsorships and brand partnerships by using every last scrap of screen voyeurism. Holding their designated banners Anu Malik, Mouni Roy, and Tusshar Kapoor appear as “judges.”

Transwoman Noor (Paritosh Tiwari) is a competitor on a reality program akin to Bigg Boss in the first part. The mid-season arrival of Swaropa Ghosh as Noor’s estranged mother brings a wonderfully weird twist to the comedy’s quest for acceptance grades. Following a sexual assault, the second tale centres on Kullu (Bonita Rajpurohit), a transgender cleaner at a metro station in Delhi additionally this segment features a career-best performance by Swastika Mukherjee, trapped in a situation with little space for manoeuvring. She won’t be capable of lending a helping hand herself until she smashes someone weaker. Shubham (Abhinav Singh), an 18-year-old gamer destined to become an influencer superstar, is the last character we meet. With Urfi Javed in a walk-on role, being the influencer to surpass all influencers, this one is the scariest, noisiest, and most disorganized—a TV anchor who might or might not be a real person beating around the studio while wearing a virtual reality headset transports us to a lovely virtual world.

“Love Sex Aur Dhokha 2” is a furious cry mingled with perplexed confusion. I haven’t watched an Indian movie as ideologically and socially provocative as this one in a long time. I have always considered LSD to be the director’s best picture to date because it was a meta-film that addressed our internalisation of movies as pop culture, ingrained in our DNA, and raised important issues regarding the line separating what is appropriate to see and what cannot while maintaining a moral core. Banerjee tackles several topics, including cyberbullying, transphobia, and big-tech manipulation of the mind, and the film becomes disorganized due to the clash of ideas. 

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